Spring 2025 Collection
Welcome to our Spring 2025 collection, where we are thrilled to present our latest exhibition, an eclectic celebration of artistic diversity. We’ve brought together a wide range of works from artists of all backgrounds, styles, and disciplines, deliberately curated without a unifying theme.
The absence of a singular focus allows each artist's vision to stand independently, inviting visitors to experience the breadth of creative expression. From abstract to figurative, traditional to contemporary, each piece offers a distinct perspective, showcasing the infinite ways art can reflect, challenge, and inspire.
By embracing this variety, we aim to spark curiosity, evoke emotion, and encourage dialogue—celebrating art in all its forms. We invite you to explore, reflect, and connect with the works that speak to you, as each piece tells its own story in its own unique way.
Thank you for joining us on this journey through the boundless world of art.

Leap - by Glen Byrne
This diver, caught in a moment of mid-air suspension, seems to exist outside of time. The monochrome palette and the obscured horizon give a timeless feel, like photography's early days. Both photographer and background viewer are captivated by the diver's precarious position.

Swinging Wave by Suyeun Lee
"Swinging Wave" 60x120cm, oil and acrylic on canvas, this piece serves as a small sanctuary, offering a moment of calm and a chance to exhale amidst life’s chaos. It's a tall piece, hoping to elongate any space its shared within

Orange Blossoms by Yun-Jung Hsieh
Orange Blossoms / 37 x 152 cm / Mixed Fiber Textile / *Not for sale Orange Blossoms derived from my preference for gradient color shades, which led me to use the two-shuttle (interlocking) technique, combining different weft combinations to create the wavy shape of this wall-hanging tapestry

Taking a Knee by Vivian Pedley
Vivian Pedley is a Cornish born artist, recently returned after more than 40 years away. His work is a mixture of text and imagery that relies heavily on the drawn line. He has work in private collections both at home and abroad and has taught fine art both in the UK and North America. He has an MFA from Concordia University, Montreal and is a member of the Newlyn Society of Artists

All or Nothing (2024) by Sze Lok Daphanie Wong
All or Nothing (2024) 96X61 Paper “ The world is either black or white.” “ How about gray?”

Carnation by S Dodd
‘Carnation’, oil on A4 deep edge canvas. Steve Dodd graduated with a degree in Fine Art from Portsmouth Polytechnic. Recent exhibitions include the Wells Contemporary, Beep and the Royal Society of British Artists. In 2022, he won the Seawhite’s Prize for the best painting at the Sussex Contemporary.

Passage No 9 by Stephen Harper
Stephen Harper practised as a professional photographer working from a studio in central London for over 20 years

The Red Lamp by Sylvia Hill
Using vibrant oil colours, I paint interior scenes often in series exploring themes such as memory, nostalgia and absence.

It's okay you are home now by Xintong Qin
It's okay you are home now, colour pencil on paper, 25x33cm, 2024. These drawings are from my LIOS desert residency project.

Pupa With Olive Branch by Stanley Greening
Originally from Lancashire Stanley went on to study at Exeter College Of A & D gaining a BA (Hons) in Fine Art and then on to Newcastle for a Fine Art MA. Drawing has always remained the backbone to all Stanley’s work following traditional teachings in the life room back in the 80's

Woodpecker on Tree by Sitara Yelding
Sitata Yelding is a graduate from Central St Martins who’s work is heavily inspired by nature and the environment, taking inspiration from a love of the natural world through captivating flowers and trees and also raising awareness of how we can protect the environment

'We Gather', Etching by Sophia O'Sullivan
Sophia’s practice considers the profound appreciation of transience and continuance, through the process of printmaking. She aims to capture fleeting moments, fragile objects and places that obliquely persist, represented in the fragile surfaces of mark making. Through the physical engagement with the process of multi-plate printmaking her work attempts to revisit these memories, again and again to attain and reflect the weight and wonder of the experienced world

Battersea Park by Sezin Aksoy
Battersea Park, 2023 30x20cm Acrylic and Oil on Canvas. Sezin Aksoy is an artist based in London and Istanbul. She completed her Post-Baccelaurate Degree in School of Museum of Fine Arts at Tufts University in 2006

Ocean Pearl by Rodolfo III Molina
Rodolfo is an impressionist painter based in London, a self-taught artist of 5 years, specialising in oil paintings

Lady on Blue Chair by Robin Koffler
Robin Koffler is a New York based artist and designer. Her artistic roots trace back to a career in graphic design, illustration, and jewellery design. Her paintings reflect a distinct style, which blend abstract realism with an imaginative impressionist color palette

Peterborough Church by Richard Freer
Richard’s paintings and drawings try to capture other worldly effects that can be found in simple natural subjects. My style is expressive and dreamlike and captures exciting light effects

Bloom by Phillipa Warden Hill
A single hydrangea bloom on a dark background which serves to highlight the brushstrokes of the individual petals

Untitled by Rabia Javed

The Unexpected Arrival of the Inexplicable Gloom by Polly Matrix Evans
Polly is a linocut printmaker whose work features a small and feisty character known as Bun-Head. Great Print 9 at Rheged, in Cumbria, ran a major feature in 2023/24 on Bun-Head, and Polly. Bun-Head holds a special place in the hearts of her many followers, the tombola of emotional prints offering something for everyone

Untitled by Pintu Biswas


Matthew, 100 head project by Liane Dixon
Matthew, 100 head project (red background) 2024, 20cmx20cm, acrylic paint & canvas board

Natures Music Mixed by Nicola Osborne
Natures Music Mixed media on canvas 105cm x 80cm

Rubber Thimble by Natalie Coe
I am a mixed media artist living and working in Penzance, Cornwall. I create multi-layered, decorative or wearable, artworks which combine photography with textiles. Pieces often start with my photography, either as a single image or as a pattern. The image is transferred on to organic fabric using eco-friendly pigment inks. I work in to the piece with various combinations of paint, pencil illustration, gold leaf, embroidery or patchwork. I incorporate antique, vintage and repurposed materials in to my work and I strive to create as little waste as possible. I have always felt an affinity with textiles and as a medium, it echoes the meanings within my work. Fabrics have a fugitive quality, they fade with light and time along with wear and use. They can be infinitely repaired with layers and stitch, developing their own individual story while becoming something entirely unique
‘Sneakin out the Bathroom’ by Martin Varennes-Cooke
‘Sneakin out the Bathroom’ Acrylic on Canvas. Martin is an artist and teacher based in Brighton

Maria Horvathova
Reminders as the mist Oil on wooden board 71x56cm unframed 2023. This body of work is inspired by The Kiltonga Wildlife Reservation, Newtownards. This place holds similarities and nostalgic reminders of my childhood garden and environment. It connects me with the place that there once was in my presence. Reoccurring elements such as the light shining through the trees, the wind blowing through the branches and the birds chirping always bring me such joy and sadness simultaneously. These are sacred moments in nature that I hold feelings and value for.

Untitled by Lisa Robinson
Lisa studied at Manchester School of Art and has completed a year on the Turps Correspondence Course. Her work has been exhibited nationally and has been shortlisted for the New Lights Art Prize, ING Discerning Eye Prize and she was a recipient of The Joan Day Painting Bursary

Like a fish to water by Kseniia Antipina
"Like a fish to water", 2024 Photography 60x40 cm (850 euro), or 100x70 cm (1200 euro), framed Giclée print on Hahnemühle FineArt Baryta The photograph symbolizes the search for one's place in society, diving into the depths of an "ocean" that represents community. If the water is unfit for life, the fish cannot survive, just as a person struggles to thrive in an environment that doesn't suit them

Pablo by Kelvin Uneze

PA240310003 by Katharina Wilhelm
"PA240310003" is another acrylic on MDF wood, measuring 10 x 14 cm, (250 pounds) made as the second plein air of the series in 2024, out of a total of 274 made during my four month stay at the Glasgow School of Arts. Continuing the exploration of immediacy in landscape painting, this work employs a direct and responsive approach. The small format emphasizes gestural brushstrokes and textured surfaces, capturing not just a scene but the sensation of being within it.

Ir eina savo keliu by Juste Bernotaite
Ir eina savo keliu, 40.2 x 40,2cm, Oil on canvas, 2024 is one of three pieces made as a homage to the landscape with regard to (Lithuanian) mythology. Specifically beings called Laumes (nymphs and faeries would be an equivalent) that bewitch people and lure humans into their despair- but protect and nurture nature (I am interested in their role in the present day amidst man made wars).

‘Where Secrets Bloom’ by Juliette Scott
‘Where Secrets Bloom’. A limited edition print, (1/10), pigment-based ink on fine art pearlescent card. Image size 42cm x 33.9cm . This is a whimsical interpretation of several garden ponds I have seen. I decided to make a composite image to include my favourite waterlilies and fish, where once again textural contrasts play an important role; the murky pond water just about allowing the viewer to see a distant waterlily in contrast to the shiny, mother-of-pearl lily-pads

Untitled (Plaque Study) by James Frew
James Frew is an artist and academic with a fascination for expanded painting and post-digital culture. As an artist he exhibits regularly and maintains an international profile. Since 2015 he has been represented by the Glasgow gallery Art Pistol. As an academic he has taught across the United Kingdom at universities including The Glasgow School of Art and ONCAMPUS Southampton in association with Winchester School of Art. He completed his practice-based PhD in painting at The Glasgow School of Art in 2021 and is a published researcher

The Triumph of The Pescatarian by Isaac Heard
Isaac Heard (b. 1995, Croydon) received First Class Honours in both his undergraduate and masters degrees in Fine Art from Lancaster University and The Glasgow School of Art. Heard works chiefly with charcoal and etching, exploring his interest in visual storytelling. He takes inspiration from film, comics and video games, creating work that is a meeting point of new media and drawing, using traditional mediums to explore contemporary issues such as climate change.
‘Reason To Live’ by Imogen Alabaster
Imogen Alabaster is a full-time artist, living and working in Edinburgh, Scotland. She appeared on Sky Arts Portrait Artist Of The Year 2024 and recently had a portrait accepted in the Society of Scottish Artists 126th Annual Exhibition.

The Interruption by Helena Benz
The Interruption, 30x30cms, acrylic on panel. Based in London, Helena Benz studied painting at the Slade School of Fine Art (2002). She has taken part in a number of high profile exhibitions, projects and residences both nationally and internationally (inc Natwest Painting Prize; East International, Norwich Gallery; Solo show, Mappin Art Gallery, Sheffield; RA Summer Exhibition; ACME Fire Station Residency, London; Artist Residency, Sch of Vis Arts Illinois State University; and has work held in public collections across the UK (inc New Art Gallery Walsall, Nottingham Castle). She has also taught in various institutions in the UK and US

Helen Cook
Helen is a white, queer, disabled artist who grew up in Canada on the unceded land of the Semiahmoo and Musqueam people. She formally studied math, philosophy, and computer science, and has a PhD in computational virology. Helen is now a painter working in watercolour, based in Cambridge, UK and devotes her time to studying art and the means of our continued existence on a just and finite planet
Gugulethu Ndlalani
As the creative director of a collaborative project called Broken Villages, Gugulethu focuses on storytelling that reflects the African narrative, particularly the experiences of black individuals who navigate the complexities of daily life. His photography serves as a medium for addressing various social issues that either directly or indirectly affect his life and the lives of those around him

Bending Light by Gregory Dirr
Gregory Dirr is a visual artist living in Florida, USA. He was awarded the Silver Key for Portfolio by The National Scholastic Art and Writing Alliance in 2004 and received his BFA at Ringling College of Art and Design in 2008. His work Flora has been chosen for display at the United States Embassy in Hong Kong, 2023. Dirr's central body of work has been a study for a story and novel he's writing called The Big Book. The characters, location, and themes in this series all are visually represented through chaotic scenes and character studies. The work uses colorful and whimsical imagery and iconography inspired by fairy tales and folklore imbuing it with a distinctive dreamy quality

Glafira Kotova
Glafira Kotova is an artist with Slavic roots, blending traditional oil painting with innovative digital art to explore life’s contrasts and connections. Her work delves into themes of nature’s harmony with modernity, the passage of time, and the intricate relationships that shape human experiences. Glafira’s artistic foundation began at a classical art school in Tula, where she developed her technical skills and appreciation for traditional mediums. Originally working with oil painting, Glafira transitioned to digital mediums after relocating to the UK, embracing their flexibility and creative potential in the absence of a traditional studio space

Gini Wade
The Birth of Blodeuwedd/Y Genedigaeth o Blodeuwedd 38cm x 28cm. Stone Lithograph. £335 (unframed). This image is one of three prints, part of a series - Blodeuwedd, the Woman Made of Flowers, made in 2022. The story is from the ancient Welsh cycle of tales -The Mabinogi

Mynah Birds on Orange Blossom by Fiona Scott-Wilson

Fiona Greer

Filippo Mattarozzi
Ode to engraving, dialogue between A.Dürer and G.Strazza. A connection between an ancient master engraver and a contemporary one. Strazza's marks guide the composition and connect to Dürer's head and foot.
Ink and razor blade interventions on smooth cardboard. (9x 17.4cm)

Autumnal Abbey by Estelle Spinner
Autumnal Abbey- A2, 59.4 x 42cm. Watercolour on Paper. There are resting bodies and fall leaves and spidery roots and spidery cobwebs and immutable, non-living stone and marble. We can never truly celebrate Life completely until we place it in the context of death

Visions by Ranga Jayaratne
'Visions' - Acrylic on canvas panel, 25x30cm The rugged landscape reflect the struggle to hold on, inching toward the distant light. The vast blue sky, with clouds drifting like memories, reveals the heart surrendering to visions of the past.

Bird Call by Emily Yang
Bird Call, 30 x 41 cm, block print on Thai kozo paper, 188 GBP. These birds symbolize the ancestral languages of my family, reflecting stories of colonization and migration. Each bird represents a language once spoken—Taiwanese, Japanese, Hakka, Cantonese, Malay, Mandarin, and English—preserving their beauty, even those I can no longer understand

'Hare', 35 x 35 cms (framed) thread painting - hand embroidery by Emily Tull
'Hare', 35 x 35 cms (framed) thread painting - hand embroidery. Emily has exhibited internationally, regularly in London, and across Kent in group and solo shows. Winning a Kent Creative Award for Visual Art (2017) she has also been a finalist in the Winter Pride Art Awards (2015), selected for the Royal Academy's Summer Exhibition, Wells Art Contemporary, Ruth Borchard Self Portrait Prize (2015, 2023) and has been a contestant in Sky Art's Portrait Artist of the Year 2014. Inspiration comes from many sources including Lucien Freud, Francis Bacon, Curiosity Cabinets, ripped wallpaper, Egyptian tomb paintings and the Pre-Raphaelites

Layers and Process by Ellen Frances
I am a Cornish artist. My work is a place where I process the world around me in terms of nature, feelings and emotions. My work is expressive and has many layers. I like to reveal what's beneath each layer in an attempt to highlight the complexity of myself and humans as a species.

Eleanor Buffam
Bramble Flower variation 2, cyanotype and acrylic on silk, 30.5 x 40.5cm
Kid-Glove by Eleanor Breeze
Kid-Glove Size: 100 x 100 Medium: Oil on canvas. In Kid-Glove, the artist delves into the symbolism of objects and their ability to convey societal expectations. Little white gloves, iconic for their connotations of decorum and propriety, are accompanied by gestures of curtseying and fabric-pulling. The transparent, layered imagery evokes photographic slides, creating a visual metaphor for the fragility and constructed nature of these expectations—particularly those imposed on women and young girls. Eleanor Breeze is an artist living and working in Cambridge. In 2016 she was shortlisted for the Marmite Prize for Painting V, and the following year she exhibited in the Bloomberg New Contemporaries exhibition, which toured to Newcastle and London.

Fragmented Landscape by Edwin Garcia
Edwin Garcia is a Venezuelan visual artist specializing in printmaking and currently residing in Argentina, where he is pursuing a Doctorate in Fine Arts from the Universidad Nacional de las Artes (UNA). In addition to conducting research, Edwin García is an independent printmaker working out of his studio in Buenos Aires
Elliptical Cicada by Dionne Marshall
Dionne Marshall is an artist, printmaker & the creator of Punctured Artefact. Based in the Cotswolds. She works from her own small studio, through a combination of self directed projects, commissions & collaborations. (intaglio printmaking (especially etching), drawing, textiles , tattoo & digital art) The small studio space became the catalyst to developing a precise, signature style of art. Which can be seen across all her methods & materials. There is a fascination with mixing geometry, symbolism, symmetry & nature

Diana Salgado
It was during the 2019 confinement when, being alone with "the blank canvas", I spent two months creating a large volume of work and was able to conceptualize my artistic language. 2024, Exposición en Hotel Emperador Madrid. 2023, Exposición individual Cock, Madrid. 2003, Licenciada en Bellas Artes por La Universidad Complutense de Madrid. 2002, Exposición colectiva Facultad de Bellas Artes de Varsovia (Polonia). 2002/ 2003, Miradas, Exposición colectiva Facultad de Bellas Artes Universidad Complutense de Madrid. 2001/2002, Miradas, Exposición colectiva Facultad de Bellas Artes Universidad Complutense de Madrid. 2000/2001 Exposición colectiva “La Estación”, San Martín de Valdeiglesias, Madrid. 2000/2001 Exposición colectiva Fundación Julián Besteiro, Madrid.

West Coast,Eire by David More
West Coast,Eire. 510 mms x 405 mms. David More is a photographer who lives and works in Scotland

Daisies new Beginnings by Clare Dryden
My work using the craft of felting using Merino Wool layered and agitated to create a solid form - an artwork. My purpose is to join this traditional craft with artists technics and knowledge to produce a fine art original picture that is both unique and practical for any interior
Clare Howlett
Painter of the natural world, capturing a sense of place painting coastal memories and the essence of a landscape.

Cally Conway
Cally Conway (UK, born 1972) trained at Kingston University and UAL in Fine Art. Cally Conway is a London based printmaker, working predominately in the medium of linocut and collage. Her prints focus on themes such as folklore, nature, and myths, and the symbolism contained within flora and fauna

Ben Varney

Anupa Gardner

Anna Kornilina

Anjiya Naik

Andy Sylvester

Amanda Horvath

Alice Mansfield
